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Installation photo of 'Gates' by Roda Medhat, a large inflatable gate enclosed in an acrylic and steel box with LED "neon" lights depicting a Kurdish designs

Gates

This piece is a large-scale recreation of the famous gateway in the Kurdish city of Hewlêr. The piece explores my relationship to my Kurdish heritage, the site of the citadel, and the history of the Kurds, examining themes of archiving, restoration, and place. In 2024, after 15 years away, I returned to Iraqi Kurdistan with the intention of 3D scanning the gateway for this project. Unfortunately, security personnel blocked my efforts. The citadel was closed for restoration, and despite waiting for 32 days, it did not reopen. Interestingly, while I was denied access, white-European tourists were allowed in. This exclusion, based on my appearance as a local, is a critical aspect I intend to explore in this work, alongside the broader questions of heritage and memory.

Roda Medhat, a Kurdish-Canadian artist based in Toronto, holds a BFA from OCAD University and studied film at FAMU in Prague. His globally exhibited work includes sculpture, installation, and film, featured in places like Japan's Osaka University of Art. His sculpture "FARSH" was celebrated at Toronto's Nuit Blanche 2022, he won the 401 Richmond Career Launcher Prize for 2024, and was part of the 2023 STEPS Public Art Residency. Roda's inclusive sculptures transcend formal art settings, reflecting his focus on the 1.5 generation's cultural complexities. He aims to unite cultures and promote shared human experiences, pushing the boundaries of contemporary art with dedication.