Certain subjects are limited by representing them in either two or three-dimensions. Spriggs has developed an environment that breaks free from the laws that constrict both two and three-dimensional materials. 
The appearance of three-dimensional form is created by drawing or painting crosssections of a subject onto multiple layers of transparent film. In this constructed space, he creates visual signs which broaden ways to think about concepts like deconstruction, symbolism, movement, and the immaterial.